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Archive for April 2013

Interesting post on a new book about sonic interaction design from the Mobile Sound blog.

Mobile Sound

The MIT Press Sonic Interaction Design Book that comes out of the EU SID COST action I was involved with and curated an exhibition for, has its launch event and symposium in May at ETH in Zurich. The Book is edited by edited by Karmen Franinović and Stefania Serafin.

Here’s the blurb from the MIT website:

Sound is an integral part of every user experience but a neglected medium in design disciplines. Design of an artifact’s sonic qualities is often limited to the shaping of functional, representational, and signaling roles of sound. The interdisciplinary field of sonic interaction design (SID) challenges these prevalent approaches by considering sound as an active medium that can enable novel sensory and social experiences through interactive technologies. This book offers an overview of the emerging SID research, discussing theories, methods, and practices, with a focus on the multisensory aspects of sonic experience.

Sonic…

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Resonance - European sound art network

by Joost Fonteyne

(Like in 2011 and 2012, also in 2013 the yearly Sounding City sound art program of the Flanders Festival in Kortrijk (Belgium), will include a fine showcase of RESONANCE works. Between April 21st and May 5th in Kortrijk you can experience Pascal Broccolichi’s Table d’Harmonie, Jitske Blom & Thomas Rutgers’s The Beaters, and Writings, a new work by Norwegian artist Signe Lidén, that will premiere in Kortrijk. Also a RESONANCE premiere in Kortrijk is David Helbich’s Kortrijk Tracks: a soundwalk. David’s work is the second in a collection of soundwalks for the city of Kortrijk, curated by the Festival’s director Joost Fonteyne, and not only available during the Festival weeks to visitors of the Belgium town, but all through the year.
In the following article, Joost provides a historic and artistic evaluation of the soundwalk as a genre. The article previously appeared…

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Now in Mu Gallery in Eindhoven, Netherlands: the exhibition Sounds Like Art.

This is an excerpt of the description of the exhibition on the Mu Gallery website:

In the vanguard of music, sound artists are always exploring new ways of creating music. Often the search will not only lead them to the new sounds they set out to find, but also to some unique instruments. Instruments which, besides being functional, can also be seen as works of visual art in their own right. Especially when they combine the aesthetics of craftsmanship with the possibilities offered by the latest in technology.  Usually these works of art perform their humble services exclusively on the stage, where they can hardly be observed from up close. But in the exhibition SOUNDS LIKE ART the spotlight is not on the artists, but on the instruments they create. It has resulted in an exhibition in which we can hear and, most importantly, also see the unique interplay between form, material qualities, and technology of these new instruments.”

The artists participating are the Andy Cavatorta, who created a series of harps especially for Björk, which are played using gravity.

Design for The Inner of Andy Cavatorta  - A music-making machine that uses a human subconscious as a functional component

Design for The Inner of Andy Cavatorta – A music-making machine that uses a human subconscious as a functional component

Other artists in the exhibition include Dutch hardware hacker Gijs Gieskes who compiles new synthesisers from existing electronics, and  musician/artist Tom Verbruggen, better known as TokTek, who creates some ingenious sound-producing sculptures.

 


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