Posts Tagged ‘sound art

Intrigued by optical sound, Mariska de Groot [NL] makes and performs comprehensive analog light-to-sound instruments and installations which explore this principle in new ways. Her work often has a reference to media inventions from the past, with which she aims to excite a multi-sensorial and phenomenological experiences in light, sound, movement and space.


In CineChine you experience in physical proportions the phenomenon optical sound – an invention of the 1920’s applied in celluloid and synthesizers – where light and sound are a similar. Objects that remind of a disassembled movie machine are positioned in the room. For every exhibition a new side-specific composition is made:


Nibiru is a mechanical performative installation wherein simple rhythmical body movements activates a squeaky pendulum drawing machine, that on its turn creates complex mathematical images. Noises of friction are amplified and sound patterns are created by light-sensitive speakers that scan the changing projected geometric line image:

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Reblogged from Binary Heap:

Binary Heap


“Our ambition, with this Guide to Sound Objects, has always been to give researchers, musicians, music-lovers and all who are directly or indirectly interested in the sound-universe an unbiased, clear and dependable tool (if this can be done) for a better knowledge and understanding of Pierre Schaeffer’s considerable contribution to this field, by means of an inventory of the ideas and concepts developed in his most important work, the Traité des Objets Musicaux.”

Download PDF : Guide To Sound Objects

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‘Stillness’ is a film by Esther Kokmeijer, a series of cinematic landscapes, filmed in the Arctic and Antarctic. It is scored by Rutger Zuydervelt a.k.a. Machinefabriek.

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The basic idea of Unnamed Soundsculpture by Berlin based generative design studio Onformative is creating a moving sound sculpture from the recorded motion data of a real person.

Onformative asked Laura Keil, a Berlin based dancer to interpret a musical piece – Kreukeltape of Machinefabriek  – as closely as possible with the movement of her own body. She was recorded by three depth cameras, in which the intersection of the images was later put together to a three-dimensional volume. The dancer moves to a noise field which can create new versions of the video, each offering a different composition of the recorded performance.

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