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Archive for the ‘Sound art’ Category

Telcosystems are a collaboration of multimedia artists, which are based in Rotterdam, The Netherlands. In their audiovisual works Telcosystems research the relation between the behavior of programmed logic and the human perception of this behavior; they aim in their work at an integration of human expression and programmed machine behavior. This  results in the audiovisual installations they make, in films, videos, soundtracks, prints and in live performances.

They have released a very remarkable audiovisual work:… a book called Resonanz . Instead of the usual audio/video stream combination in audiovisual art works presented in the Visual noise series, this book combines 12 sound compositions with 12 computer generated images printed in the book. You can plug a headphone into the book, to hear the sound piece belonging to an image printed on spread pages of the book. Sound and image of a page were generated by the same electronic signal, so you experience a resemblance between the two. This combined provides the audiovisual experience of the piece:

 

 

The book was on display in the Klokgebouw exhibition during the last Dutch Design Week held in Eindhoven last year. And you can buy the book in two limited editions of 200 copies each for 245,- or 395,- euros on the Telcosytems website. This is too expensive for me, so i’ll stick with the video of the book displayed above. However, the combination between printed images and sounds in such a familiar book format as an audiovisual art piece, was worth a mention in this tech art blog.

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In this edition of Visual Noise a video by Amsterdam based electronic artist and software developer Fabrizio Poce.

The video was made with a Max for Live/Ableton Live application which enables him to improvise with 3D geometries as though they’re an instrument. The music to the video was provided by Dutch DJ/producer NearEarthObject:

 

 

On Fabrizio’s website you will find more intriguing video’s made with his 3D modeling software for Max for Live.

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This time a video in this series with more conventional visuals than usual: “Leyohmi“by  German theremin player Carolina Eyck and the American Contemporary Music Ensemble.

I have added it because I like the beautiful nature scenes of the video, the thin theremin sounds of Carolina Eyck and the general atmosphere of the video. They seem to fit a Sunday morning:

 

Carolina Eyck is a contemporary master of the theremin, together with Dorit Chrysler and Lydia Kavina. I do have a Moog theremin(i) myself, but it is just one of the many synthesizers in my studio. So I am not as proficient in playing it as those theremin maestros, but know how hard it is to play the thing.  If you like the sounds of this video, I advise you to check them out on YouTube or elsewhere on the web:

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Found today while browsing on YouTube: a video of the Parallels installation of Nonotak Studio, one of the highlights of the STRP Festival 2015 edition:

 

Nonotak Studio is a collaboration between illustrator Noemi Schipfer and architect musician Takami Nakamoto. Nonotak was created in late 2011.
In early 2013, they started to work on light and sound installations, capitalizing on Takami Nakamoto’s approach of space & sound, and Noemi Schipfer’s experience in kinetic visual design.

Parallels is an audio visual installation that was commissioned by the STRP festival.  It explores interactions between light, space and people within the room of the installation. The boundaries and notion of space, become abstract as the audience crosses the room, but in doing so, the audience also affects the space by breaking the light. This installation is strongly connected to the space in which it takes place; it lives within it. But as soon as the light hits the walls that define the space, it reaches its limits and stops reproducing itself.

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Soft Revolvers is an audiovisual performance by Canadian artist Myriam Bleau. She explores the limits between musical performance and digital arts, creating audiovisual systems that go beyond the screen and integrate hip hop, techno and pop elements.

For Soft Revolver she makes use of 4 spinning tops built with clear acrylic by the artist. Each top is associated with an ‘instrument’ in an electronic music composition and the motion data collected by sensors – placed inside the tops – informs musical algorithms:


With their large circular spinning bodies and their role as music playing devices, the interfaces evoke turntables and DJ culture, hip hop and dance music. LEDs placed inside the tops illuminate the body of the objects in a precise counterpoint to the music, creating stunning spinning halos:

Soft Revolvers was performed during the LEV Festival in Gijon in April and can also be seen at the upcoming Sonar festival in Barcelona at the end of this week.

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