Archive for the ‘Media art’ Category
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Japanese technology art artist Mariko Mori currently has two major exhibitions, in Tokyo and New York. I like the way how Mori illustrates fundamental human experiences by creating high-tech, polished science fiction-like environments and installations. And being one of the genuine superstars of tech art, she has to be included in this blog. So a post on these new works of Mori to focus some attention on her and her recent art work:
Mariko Mori started her career as a fashion designer and model in the late 1980s. Not surprisingly, Mori’s early works use her own body as the subject and she costumes herself as a technological alien woman in everyday scenes, loosely playing on Japanese pop culture and the cyborg theme.

As more Japanese artists do, Mori liked to juxtapose Eastern mythology with Western culture, often through layering photography and digital imaging. Her early work was rooted in Manga, kitsch and urban cyber culture, often depicting Mori herself as a cyborg from an alternate, pop-futuristic reality. In her early photographs, such as Subway (1994) and Play with Me (1994), Mori appears as the cyborg heroine of a film who navigates the streets of Tokyo:

However, from 1999 onwards Mori departed from the use of her own image and instead began to create entire environments to facilitate the viewer’s own transcendental experience. Her work did expand beyond the colorful hyperreality of Play with Me to include a fascination with ancient cultures. Among cultures explored in Mori’s work are the prehistoric Jomon culture in Japan and Celtic traditions in Europe, investigating a more abstract minimalism and celebrating the enlightening and expansive qualities of technological innovation and its interaction with its surroundings.
Her theme “has shifted from the body to (human) consciousness” in her own words*. In one her most well-known works, Wave UFO (1999–2003) which was exhibited at the 2005 Venice Biennale, viewers enter a biomorphic pod and are fitted with brain-wave electrode headsets capable of projecting images of the wearer’s brain waves. As extra-sensory information is transformed into visual imagery, the participants enjoy a novel form of communication for a few minutes before Mori’s animation Connected World appears on the rounded ceiling of the inner chamber of the pod.
By juxtaposing divergent cultures and disciplines such as Buddhism and science, or traditional tea ceremonies and Manga, Mori creates an aesthetic vocabulary that points simultaneously forward and backward. And so does her new work “Primal Rhythm” which is a land art piece created on Miyako Island, near Okinawa in Japan. The first part of it was built in 2011, the next part still has to be completed:
The work is part of an exhibition called Rebirth: Recent Work by Mariko Mori at the Japan Society in New York which contains 35 sculptures, drawings, photographs, sound and video work which together deliver a narrative of birth, death and rebirth—a continuous circle of life force that Mori observes on a cosmic scale.
Simultaneously, Mariko Mori also exhibits in the luxurious Espace Louis Vuitton in Tokyo. This exhibition is called ‘Infinite Renew’ and amasses sculptures and installations in a series of works that -again- metaphorically reflect the never-ending circulation of life and death. The sculptures are interactive and react to the movements of the viewers: the lights of the sculptures change according to the energy level of the visitors according to Mori:
I missed the 2007 survey exhibition Oneness of Mariko Mori in the Groninger Museum (which by the way apparently became the world’s most visited contemporary art exhibition with 538.328 visitors) and New York or Tokyo are too far away for a visit. Therefore, lots of links to additional sources of online information on Mariko Mori’s art below instead:
* Art Review September 2006
More information:
- Artnet artist video interview
- Espace Louis Vuitton Tokyo
- Catalog of Infinite Renew exhibition
- Japan Society: Rebirth: Recent Work by Mariko Mori
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Bullet: Artist Mariko Mori Discusses ‘Primal Rhythm: Seven Light Bay’
- DesignBoom: Mariko Mori: infinite renew at espace louis vuitton tokyo
- Mariko Mori Dream Temple video – YouTube
- Guggenheim bio of Mariko Mori
- Groninger Museum – Oneness
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Ryoichi Kurokawa is an Japanese artist who lives in Germany (Berlin). His works take on multiple forms such as concert piece, screening works, recordings and installation. These works are shown at international festivals and museums including Tate Modern [UK], Venice Biennale [IT], ARS Electronica [AT], Transmediale [DE], Mutek [CA] and Sonar [ES].
Ground – a work from 2011- appears like a still image within the animated sequence, as the transitions from one motion to the next are slurred and extended. The fragmented images and sounds spark tension and underscore that this work was inspired by the battle grounds of the Middle East during war time. Even if such terrain is not scenic, it’s still a natural setting upset by violence.
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The sound automat is filled with sound contributions by the following sound artists: Steinbrüchel (CH), Richard Chartier (USA), Pe Lang (CH), Kenneth Kirschner (USA), Fm3 (CN), Mahmoud Refat (EGY), Freiband (NL), Bloom (CH), Florian Dombois (GER), Dale Lloyd (USA), Longmo (CH), Wangfan (CN), Luigi Archetti (I), Strotter Inst. (CH), Jason Kahn (USA), Heribert Friedl (A), Yuzo Kako (JP), Autobam (I) and Zimoun (CH).
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I am an avid fan of everything the Future Sound of London (FSOL) did or does. In the ’90s they (re)introduced psychedelica in electronic dance music after the grim industrial electronic body music (EBM) of the ’80s. To get acquainted with FSOL, this Astralwerks press kit video sums up the start of their ’90 career and DIY attitude in just over 10 minutes.
I have been following them ever since, from the acid house of Stakker Humanoid ( I still have the original 45 single!) through the techno of Papua New Guinea , their live ISDN transmissions to the psychedelic rock of The Amorpheus Androgynous.
Part of the attraction of FSOL was not only the music, but their groundbreaking videos as well, which in the ’90s were even sometimes shown on MTV! Especially the videos belonging to the Lifeforms and Dead Cities albums were – and still are – amazing. I have been looking for a DVD containing these videos for some time on the web (and even e-mailed FSOL about it), but didn’t found one yet. And I am not the only one according to this 2009(!) post on the FSOL News blog:
The phrase ‘FSOL DVD’ has been one in the back of the FSOL fan’s mind for something like seven years now. We’re not sure if this is the one, or maybe it’s just a DVD of the Athens show and little else, but Gaz (FSOL) has mentioned it on the first official footage of that performance here on YouTube.
The long-awaited FSOL videos DVD still isn’t there: if you search their webshop fsoldigital.com on “DVD” or “video”, the best result is a download of “Neotropic – Small Moves“, a collection of short Super8 films created by Oliver Marlow to accompany the White Rabbits release of Neotropic.
However, some of the FSOL videos occasionally pop up on YouTube. For all of you too young to have seen them watching ’90s MTV, I have added some of them to this post. Here they are from Stakker Humanoid, to Papua New Guinea, to Lifeforms and finally 25 minutes of Teachings From The Electronic Brain by Yage .
Take a trip and enjoy….!
More information:
- fuckyeahfsol on Tumblr
- Welcome to the Glaxacial Pharmaceutical website
- FSOL on Allmusic.com
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Eclipse(s)” video mapping by Rosebruit
Created & produced by Elvire Bastendorff & Franck Smith
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