Archive for the ‘Sound art’ Category
- In: Art | Instruments | Noise boxes | Software | Sound art | Synthesizers
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On YouTube I found this video today on the Ondes Martenot: an electronic instrument of the 1920’s which preludes today’s synthesizer. It is most widely known for its use in pieces by French composer Olivier Messiaen:
I actually own a high quality software emulation of the Ondes Martenot made by VSTi producers Sonic Couture and use it quite often due to it’s distinct sounds. One of the interesting things about the Ondes Martenot was the ribbon controller demonstrated by Jean Laurendeau in the video.
A similar ribbon controller in a modern plexiglas enclosure now made by Eowave is also part of my synth studio. Here the Blade Runner theme is played on a synthesizer using the Eowave ribbon as a controller:
So although the Ondes Martenot may be almost a century old and is not often used as an instrument on its own, it’s sounds and concepts are still alive today.
More information:
- Sonic Couture
- Eowave
- Ondes Martenot in Wikipedia
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Electronic music in the 1920′s – the ondes Martenot by Noise Addicts
- In: Art | Experience | Media art | Sound art | Videos
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‘Stillness’ is a film by Esther Kokmeijer, a series of cinematic landscapes, filmed in the Arctic and Antarctic. It is scored by Rutger Zuydervelt a.k.a. Machinefabriek.
More information:
- Website of Esther Kokmeijer
- Machinefabriek
Defining Visual Music
Posted on: January 20, 2014
- In: Art | Books | Sound art
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Reblogged from the midnightsiencefictionfeature blog. Interesting post on the concept of “visual music”.
More information:
<This is an excerpt from a text I wrote last week, about a theoretical exploration between Ikeda and Visual Music. This particular excerpt is a (very) short segment about defining the vast artistic expertise that can be called ‘Visual Music’>
In discussion of experimental and ‘absolute’ film[1] of the 1920s and 1930s, the broad term visual music began to take form. Even before then, scholars have noted that the ‘color organs’ of the nineteenth century could be a precursor to these moving abstractions, without narrative but accompanied by music.[2]
The term visual music can be considered a form of art in which the combination of moving imagery and sound establishes a temporal architecture in a way similar to absolute music[3], according to Diego Garro.[4] It can be defined as a historical reference and at the same time as a label for contemporary…
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- In: Art | Installations | Performance | Sound art | Technology art | Videos
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The basic idea of Unnamed Soundsculpture by Berlin based generative design studio Onformative is creating a moving sound sculpture from the recorded motion data of a real person.
Onformative asked Laura Keil, a Berlin based dancer to interpret a musical piece – Kreukeltape of Machinefabriek – as closely as possible with the movement of her own body. She was recorded by three depth cameras, in which the intersection of the images was later put together to a three-dimensional volume. The dancer moves to a noise field which can create new versions of the video, each offering a different composition of the recorded performance.
More information:
- Onformative website
- Machinefabriek
- Laura Keil on Vimeo
- In: Art | Installations | Performance | Sound art | Technology art
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Reblogged from the Midnightsciencefictionfeature blog: an interesting post on Ryoji Ikeda and the concept of “visual music“.
As an example of Ikeda’s work here is a link to a Vimeo video of his work Superposition, which I watched during STRP 2013:
Some interesting visions on music, moving images, sounds and noise have graced me lately. On the one hand due to professional interest, on the other hand because of past experiences. When prompted to explore the expansive field of ‘visual music’, I oncemore familiarized myself with the works of Japanese artist Ryoji Ikeda. While I was exposed to his music before, this time the focus was more on the visual aspect of his artworks, which accompany his music (or is it the other way around). The term visual music is a very broad term to describe the combination of image, sound and music, especially in an art-environment, in the form of film installations. But visual music as a concept can take many forms. I’d like to think it stems from expanded cinema.
We define expanded cinema as the use of moving image and sound expanded beyond the boundaries of the black box…
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