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Every technology has its own accidents. Rosa Menkman is a Dutch media artist who focuses on visual artifacts created by these kind of accidents in digital media. The visuals and installations she creates are the result of glitches, compressions, feedback and other forms of unplanned noise.

Although most people perceive accidents as negative experiences, Rosa Menkman emphasizes their positive consequences. By combining both her practical as well as academic background, she merges her abstract pieces within a grand theory (“glitch studies”), in which she strives for new forms of conceptual synthesis of the two.

Glitch art seems to be an art form which requires a considerable amount of – rather obscure – explanation. According to Menkman, “glitch art is best described as a collection of forms and events that oscillate between extremes: the fragile, technologically based moment(um) of a material break, the conceptual or techno-cultural investigation of breakages, and the accepted and standardised commodity that a glitch can become. […] Glitch genres perform reflections on materiality not just on a technological level, but also by playing off the physical medium and its non-physical, interpretative or conceptual characteristics. To understand a work […] of glitch art completely, each level of this notion of (glitch) materiality should be studied: the text as a physical artifact, its technological and aesthetical qualities, conceptual content, and the interpretive activities of artists”.
and audiences.”

If this description confuses you: it is  – more or less! – explained by Rosa when interviewed for the Digital Manifesto Archive:

So much for theory. How does this actually look and/or sound? Below are a few video’s included of works made by Rosa Menkman.

Pattern Recognition, Beyond Resolution

This video was apparently commissioned by the Dutch railways to be played on big LED ‘Urban Screens’ in train stations all over the Netherlands. However, when finished it wasn’t used because it was classified by the railway company as being “to strange for train passengers”:

DCT:SYPHONING

This installation is part of the Transfer Download exhibition of the Minnesota Street Project in Transfer Gallery in  San Francisco, which ends on September 9, so next week. So you are actually still able to see/experience it if you are living near SF!

According to the Transfer Gallery website this work is inspired by the 1884 novel ‘Flatland’ by Edwin Abbott Abbott. Rosa Menkman tells the story of a father who introduces his son to different levels of compression; they move from dither, to lines, to macroblocks (the realm in which they normally resonate) to the ‘future’ realms of wavelets and vectors.

Xilitla

Xilitla is a software game/application for Windows, Mac and Linux platforms which enables you to view the videoscapes of Rosa Menkman in glitchy  way outside the confines of YouTube and Vimeo (or this  blog page..). The app can  be downloaded for free on the Xilitla/Beyond Resolution website. In the About Xilitla video below she explains the goal and concept behind the app:

All in all, a very interesting Dutch media artist,who combines art theory and practice in her work and has in doing so already produced an extensive body of media art pieces around the concept of “glitch”. Below are some links – in random order, of course – to get you viewing, playing and reading:

More info:

• Rosa Menkman blog
• “Resolution Disputes: A Conversation Between Rosa Menkman and Daniel Rourke” interview on Furtherfield
• “The Glitch Moment(um)” book by Rosa Menkman published by the Institute of Network Cultures
• “The Glicht art genre” article by Rosa Menkman on Fluxo
• Digital Manifesto Archive
• Xilitla/Beyond Resolution website