Archive for the ‘Art’ Category
Crossover noises: Bang-on-a-Can
Posted on: November 3, 2013
Bryce Dessner, guitar player of US rock band The National is currently the composer-in-residence of the Muziekgebouw in Eindhoven.
As part of the Composer in Residence series of the Muziekgebouw, a concert will be given on Thursday 07/11 by New York all-star band Bang-on-a-Can, who will be joined by special guest Lee Ranaldo of Sonic Youth fame. Bang-on-a-Can All Stars have included several contemporary composed guitar pieces in their repertoire, such as the Electric Counterpoint classic of Steve Reich:
The pieces played are made by contemporary composing rock guitarists, including Fred Frith, one of my all-time favorite guitar players:
- Bryce Dessner (The National) – Gloucester 27
- Bryce Dessner (The National) – Shut your Eyes against the Wind
- Thurston Moore (Sonic Youth) – Stroking Piece #1
- Fred Frith – Snakes & Ladders
- David Longstreth (Dirty Projectors) – Instructional Video, Matt
- Damon, Breakfast at J&M
- Lee Ranaldo (Sonic Youth) – How Deep are Rivers
With this program, this may be a very interesting first crossover concert of Bryce Dessner’s stay as a composer-in-residence IMHO. So I will be there.
Check for more information:
“Box” is a short promo video by a company called Bot & Dolly, a design and engineering studio from San Francisco that specializes in automation, robotics, and filmmaking.
The video explores the synthesis of real and digital space through projection-mapping on moving surfaces.
The short film documents a live performance, captured entirely in camera. Bot & Dolly produced this work to serve as both an artistic statement and technical demonstration. It is the culmination of multiple technologies, including large-scale robotics, projection mapping, and software engineering:
More information:
- In: Art | Exhibition | Experience | Installations | Sound art | Technology art
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I have been an admirer of the work of Swiss artist Jean Tinguely almost all of my life. It started while at university, when I bought this poster of a Tinguely exhibition at the Tate Gallery in London.
Since then I have been collection exhibition posters and graphic works of Tinguely and other artists and started to develop an interest in technology and media art.
Today, I stumbled upon another Swiss artist focusing on sculptures and installations that move, have rhythm and make noises – somewhat similar to Tinguely’s works – who works under the name of “Zimoun”:
According to the CV on his website
Zimoun builds architecturally-minded platforms of sound. Exploring mechanical rhythm and flow in prepared systems, his installations incorporate commonplace industrial objects. In an obsessive display of simple and functional materials, these works articulate a tension between the orderly patterns of Modernism and the chaotic forces of life. Carrying an emotional depth, the acoustic hum of natural phenomena in Zimoun’s minimalist constructions effortlessly reverberates.
Zimoun currently has an exhibition in The Netherlands in Groningen at np3TMP:
An interesting artist to check out in Groningen and follow IMO.
Prosthesis: the anti-robot
Posted on: May 10, 2013
Found on eatART.org, a website of a Vancouver based technology art collective: Prosthesis, another exo-skeleton based artwork comparable to the works of Stelarc.
According to eatART Prosthesis is
an independent art project by Jonathan Tippett. It is a 5m tall, 3000kg, four-legged wearable walking machine, powered by a cutting edge, modular, expandable hybrid-electric power plant. Prosthesis uses this power to amplify the pilots movements through a full body, on-board exo-skeletal interface. The machine has no computerized control system or giros and is entirely dependent on the skill of the pilot to operate properly. The pilot’s skill and the configuration of the power system all contribute to the machines overall efficiency.This relationship reminds us, in very immediate way, how our use of technology can convert small acts in to movements of great consequence.
The Prosthesis project has it’s own website were you can track it’s progress: http://www.anti-robot.com .
“Anti-Robot” because according to the Prosthesis website:
Prosthesis is not being built to fulfill any practical need. It is not a tool, nor a weapon, nor a rehabilitation device. The purpose of Prosthesis is to explore what it means to be human by creating a challenging, completely unprecedented, interactive human-machine experience. Prosthesis is being built to push the age old pursuit of mastering a physical skill in to new territory. Prosthesis is a new sport, a new dance, a new martial art.
Prosthesis reminds us to question whether or not we really want to automate everything we do. It asks us to remember our bodies—remember how it felt when we first rode a bike—when we fist did a cartwheel—when we first landed a jump. It puts the human back in the driver’s seat, and then makes them learn to walk again.
- In: Art | Event | Experience | Sound art
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by Joost Fonteyne
(Like in 2011 and 2012, also in 2013 the yearly Sounding City sound art program of the Flanders Festival in Kortrijk (Belgium), will include a fine showcase of RESONANCE works. Between April 21st and May 5th in Kortrijk you can experience Pascal Broccolichi’s Table d’Harmonie, Jitske Blom & Thomas Rutgers’s The Beaters, and Writings, a new work by Norwegian artist Signe Lidén, that will premiere in Kortrijk. Also a RESONANCE premiere in Kortrijk is David Helbich’s Kortrijk Tracks: a soundwalk. David’s work is the second in a collection of soundwalks for the city of Kortrijk, curated by the Festival’s director Joost Fonteyne, and not only available during the Festival weeks to visitors of the Belgium town, but all through the year.
In the following article, Joost provides a historic and artistic evaluation of the soundwalk as a genre. The article previously appeared…
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