Archive for the ‘Sound art’ Category

Reblogged from Feminatronic:


Ok, this is too good not to post here and gives you an idea of what to expect at Supernormal Festival

Poulomi Desai is also involved in Usurp Zone 5 Film Festival  details here



View original post

Tonight the STRP Biennale 2015 will start in the Klokgebouw on Strijp-S in Eindhoven. The STRP biennial brings together art, technology and experimental pop culture and connects them to interested audiences. With its interactive art, light art, robotics, performances, experimental music and films, lectures and workshops STRP offers a glimpse into the near and sometimes distant future of our technology-driven culture. The topic of this edition is “SCREEN ON | NO SCREEN”:  the electronic screen. As is described on the STRP website:

.Screens are all around us, and they’re not only becoming bigger, smarter and more interactive, but also thinner, sharper and more flexible. The STRP Biennial 2015 investigates the thin line between the material and immaterial image. We show how our relation with the images that are moving all around us is getting more and more complex. It’s getting very hard to separate ourselves from them, sometimes we immerse ourselves in them, but at the same time we are getting better at controlling the images.”


The festival opens with a performance by Robert Henke (a.k.a Monolake, a regular participant at the STRP festival). He will show an updated version of his Lumiere audio-visual performance, simply called Lumiere II. I will be there to attend it. Four specially crafted lasers are linked to the world-famous Ableton DAW software, that was co-developed by Henke, to create animated patterns aligned to sounds with it.  The video above contains an excerpt of the original Lumiere laser performance.

Be sure to visit STRP 2015 too, if you are interested in cutting edge tech art and are near Eindhoven.

More info:

Found on Vimeo: a documentary on the making of the Chalice Symphony by Andy Cavatorta and his team for Belgium beer company Stella Artois. A “chalice‘ is a goblet for drinking wine or (in this case) beer.

The symphony contains four beautifully crafted instruments using the chalice as  a source of sound: On the website of Andy Cavatorta you can download  sound files of these four instruments in .exs (Logic) or .nki (NI Kontakt) format

More information:

I recently bought a Moog Theremini for my ever expanding synthesizer studio. The Theremini is a new take by Moog Music on the age old Theremin, one of the first electronic musical instruments ever made. The original Theremin generated sinus waves, which were triggered by moving your hands along two antenna’s. The new Theremini does the same, but uses digital instead of analog sound synthesis. This means it is capable of generating many more sounds than just a simple sinus waveform. This is the Moog promo video of the Theremini by thereminist Dorit Chrysler demonstrating the versatility of this renewed Moog theremin:

I have been interested in the Theremin from the 1980’s onwards. I even wrote an article on it and other ancient electronic instruments – such as the Telharmonium and the Ondes Martenot–  for a popular science magazine in the  late ’80s. The instrument was invented in 1928 by Russian inventor (and spy: read: Theremin. Ether Music and Espionage by Albert Glinsky ) Lev Termen a.k.a “Leon Theremin” in the USA. This video shows him playing his invention:

The Theremin was used in modern 20th century composed music by composers such as Messiaen and Shostakovich, but is better known for its use in film scores, notably of sci-fi B movies like  The Day the Earth Stood Still and The Thing (From Another World) and in the British TV series  Midsomer Murders. In pop/rock music the Theremin was used by the likes of the Beach Boys (Good Vibrations), Captain Beefheart & The Magic Band (Electricity), Led Zeppelin (Whole lotta Love) and space rock band Hawkwind. During the ’90’s there was some kind of a theremin revival, which is sometimes credited to the Portishead song “Mysterons” from their Dummy album. However, the distinctive “theremin” sound on this track was made by a synthesizer (probably a Roland SH-101), not by a theremin:

It is hard to play a theremin due to the glissandi generated by the hand gestures: it is difficult to keep a pitch by not moving your hands while playing. So there are only a few contemporary thereminists of which Lydia Kavina,  Carolina Eyk and Dorit Chrysler (see above) are probably the most well-known. This video shows a demonstration of the new Moog Theremini by Lydia Kavina, in which she explains some playing techniques:

 The new Moog Theremini supports Midi and has a USB port, enabling it to be used as a Midi controller. So it introduces new possibilities for an instrument which is nearly 100 years old in electronic music. Check it out if you are interested in both the history and future of electronic music instruments.

More information:

Back in 1979 I bought my first synth: a monophonic Korg MS-20 which I still own. The cause of it were a British post-punk band from Sheffield: Cabaret Voltaire, which I saw at the Effenaar venue in Eindhoven in the same year.

They are included in the BBC-4 documentary Synth Britannia, which focuses on the rise of synth pop in the post-punk era. Although the focus is on “”pop” bands like The Human League, OMD, Depeche Mode and individuals like Gary Numan, the influence of more “industrial” outfits like Cabaret Voltaire,  Throbbing Gristle and The Normal is also mentioned.

The BBC 4 documentary links the rise of synth pop to the bleak landscape, economics and politics of ’70 s Britain. So a very interesting video to check out if you are into electronic music (history).

More information

Select category

Archive calendar

February 2023

Enter your email address to subscribe to this blog and receive notifications of new posts by email.

Join 65 other subscribers