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A new post after +6 years, this time (again!) about Swiss kinetic/sound sculptor Zimoun. He recently published Complilation Video version 4.3 which provides an overview of his work so far:
I still like his work after first seeing it at the Dutch Design Week in Eindhoven, back in 2014. As the Dutch Design Week 2024 starts tomorrow as a far more commercialized/sponsored/corporate event than back in 2014, this overview of works might act as a reminder on how DDW started 10 years ago….
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I discovered Swedish artist Jonas Lund through an interesting article in Gonzo (circus) entitled “Propaganda as a scalpel“. Jonas Lund is a Swedish artist working from Berlin and Amsterdam, who makes use and often questions (and criticizes) the current state and usage of online communications, advertising and marketing.
TOS (Terms of Service) 2016, Terms of Service textual agreement
According to his online resume he “creates paintings, sculpture, photography, websites and performances that critically reflects on contemporary networked systems and power structures of control“. For this purpose he has made many installations, websites, online games and bots, of which an overview can be found on his website. Check some of his disturbing online games and bots such as:
- Fair Warning
- Away on Vacation
- The Internet Click
- The Internet Express
- Talk to me
- Pessismism of the intellect, optimism of the will
Being a web developer by profession from 1995 onwards, I sympathize with his efforts in this particular field of “‘critical” web/net art. After a surge in popularity and interest around 2000 it seems to have disappeared in obscurity again. Nice to see there are still artists who are dedicated to this type of tech art.
More information:
- Jonas Lund website
- Gonzo (circus)
- Interview of Jonas Lund by Transmediale on YouTube
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- Comments Off on Reblogged: In the studio with Robert Henke
This post was reblogged from the Headphone Commute blog:
Let’s start at the very beginning. Can you tell us how you got involved in composing, and what was your very first piece of gear? I discovered the ‘Oxygene’ album by Jean Michel Jarre w…
Source: In the studio with Robert Henke
Reblogged from the excellent Binary Heap blog: this elaborate post on the history of sound art from the beginning of the 20th centruty until today:
Over the past few years, sound art has been more visible in America. The Whitney has been including it in its Biennials and it even had its own section in their “The American Century” retrospective a few years ago. As a matter of fact all over the country, it’s not too unusual to walk into a museum, art gallery, or university-sponsored exhibition space and hear nothing but sound. Websites like my own UbuWeb, the San Francisco-based Other Minds, and numerous independent sites of American composers are sprouting up, offering dozens of hours worth of sound art MP3s for free. Once relegated to specialty shops like Printed Matter, Inc. even record stores seem to be carrying these sort of discs. If you’re interested in sound art, a trip to Other Music in New York City or to the new airplane-hanger sized Amoeba in Los Angeles will prove fruitful, with…
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Tonight the STRP Biennale 2015 will start in the Klokgebouw on Strijp-S in Eindhoven. The STRP biennial brings together art, technology and experimental pop culture and connects them to interested audiences. With its interactive art, light art, robotics, performances, experimental music and films, lectures and workshops STRP offers a glimpse into the near and sometimes distant future of our technology-driven culture. The topic of this edition is “SCREEN ON | NO SCREEN”: the electronic screen. As is described on the STRP website:
“.Screens are all around us, and they’re not only becoming bigger, smarter and more interactive, but also thinner, sharper and more flexible. The STRP Biennial 2015 investigates the thin line between the material and immaterial image. We show how our relation with the images that are moving all around us is getting more and more complex. It’s getting very hard to separate ourselves from them, sometimes we immerse ourselves in them, but at the same time we are getting better at controlling the images.”
The festival opens with a performance by Robert Henke (a.k.a Monolake, a regular participant at the STRP festival). He will show an updated version of his Lumiere audio-visual performance, simply called Lumiere II. I will be there to attend it. Four specially crafted lasers are linked to the world-famous Ableton DAW software, that was co-developed by Henke, to create animated patterns aligned to sounds with it. The video above contains an excerpt of the original Lumiere laser performance.
Be sure to visit STRP 2015 too, if you are interested in cutting edge tech art and are near Eindhoven.
More info:
nnnoises 